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True art lies in being hidden, as we meet it without countering a fabricated mere figure. In Fadwa Ramadan’s artworks, some circles are stripped out of their details connected to the rest of the components of the universe encircled by the shadows of value. Circles in her artworks may represent stars, flowers, or objects presenting an emotional or human condition. An expressive style that is overpowered by a dramatic disposition in movement and emotions.
Ramadan was born in Al-Gharbiya governorate on the 19th of March, 1972. She graduated from the faculty of Foreign Trade and Business Administration in 1999. She went to Italy to study art history to join the fine arts field to be one of the outstanding female painting artists.
She is a member of Egypt’s Fine Artists Syndicate. She has been interested in art criticism, as her writings were published in many newspapers and magazines, such as Asharq Al-Awsat, Ibdaa magazine, Al-Hilal magazine, and Akhbar Al-Adab. Also, she published several writings, like Iktishaf Al-Gasad (The Discover of Flesh).
Ramadan held more than individual exhibitions. The first one was in 1998 in Atelier Du Caire in which she chose to held other exhibitions in 1999, 2002, and 2003. Besides, Steps in 2008.
Her artworks were displayed inside and outside Egypt. Her exhibitions continued, as each one of them witnessed a certain development and a dramatic condition in which she outperformed herself. In 2010. She held 3 private galleries: Watercolors, The Departure of Sunflowers in the Egyptian Cultural Center in Paris, and the third one was at Gezira Art gallery in Cairo. Dawayer or Circles in 2014 is considered to be an extension to her artistic experience, but she used colors and added different materials in painting after a long journey of painting with black and white. It differs in the use of the material and placing it correctly to achieve aesthetic results that are uneven in shape and approximate in what is related to the sensual side of recognition of the tenor of shapes.
She held some dual galleries in 2014 and 2016. Moreover, she took part in group galleries including youth salons in 1998, 2000, 2001, 2002, and 2005, the National Art Gallery in 1999, 2001, 2003, 2005, 2008, 2013, and 2014, the Small Artworks salon in 1998, 1999, 2000, and 2002, and the first, second, and third painting salon. She also participated in exhibitions in foreign embassies, such as the Canadian embassy’s gallery for Cancer diagnosed children in 2001. On the international level, she took part in the Asian Art Biennale Bangladesh in 2001, Alicante in Spain in 2007, the art gallery accompanied to the Book Fair in Turino in 2009, the second African Cultural Art Forum in Algeria in 2009, and finally the 4th International South Salon in the faculty of Fine Arts in Luxor in 2016.
Fadwa Ramadan won some awards, such as the prize of the 12th, 13th, 17th Youth Salon in painting in 2000, 2001, and 2005. She also won another one in the 14th Youth Salon for criticism in 2002. Besides, she won the Egyptian prize in creativity for art criticism from Accademia d’Egitto in Rome in 2003 and 2004.
Many of her holdings are with individuals and in official institutions, such as the Museum of Modern Egyptian Art, Alexandria Library, Cultural Development fund, the Canadian embassy in Egypt, and press institutions inside and outside Egypt.
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